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Daedalic Entertainment and Gamexcite have announced downloadable content for Star Trek: Voyager - Across the Unknown, including some that is already out now.
In my earlier post about the base game, I noted a few things I’d like to see in a DLC. Very little detail has been confirmed and I don’t really expect much of the specifics of my suggestions to make it.
However, one thing has been confirmed: a mode featuring the U.S.S. Equinox. And honestly I’m happy to see any extra support.
The first DLC is available now with the rest coming throughout the year. Hopefully if it is successful, there will be more.
DLC 1: Delta Chronicles – available now.
New missions, recruitable heroes, six new technologies and four NPC ships.
DLC 2: U.S.S. Equinox - soon
Contains a completely new, playable ship along with crew, technology and more.
DLC 3: later this year
Contains more missions, heroes, technologies and NPC ships.
DLC 4: New sector - later this year
Contains a whole new sector with storyline, missions, characters, NPC ships and technologies.
Both were inspired by the content of Gary Rosenzweig’s Advanced Lingo for Games book. But where Supremacy was a slight refinement and rebranding of a complete game, Q War takes one behaviour (the implementation of the bullet sprites from both the “Space Invaders” and “Space Rocks” games) and builds a different game, complete with “original” graphics.
I believe I worked on Supremacy first as a learning exercise, and then started Q War. But I made Q War available first. The only hard evidence I have is the remains of the Shocklive! site in 2001:
8th February - Site created! Q War, a two level action shooter is playable
18th February - A Completely re-done Q War has been uploaded!
14th March - Supremacy, a new fun strategy game is now available!
Each level puts you in control of a ship that can fly around and shoot, with limited shields that deplete as you take fire. The game supports one or two players working cooperatively.
The game is split into multiple levels, connected by a map screen between each one where you choose your next destination. Starting in the top left, the goal is to reach the bottom right. Levels can be blank, or they can contain obstacles — either an asteroid belt you need to survive for a set time, a powerful enemy station that is shooting at you, or a pair of enemy ships to defeat. Any combination of those can appear in a single level, including all three at once.
Online features
Q War features two online features.
Maps
The map is loaded from the map.txt file along side the game file on the server. An example map.txt file:
Firstly, that format is the default way Lingo serialised an object. That is an array of four elements, each of which is an array of six strings.
I think the game technically predates JSON (Wikipedia says it was first specified in March 2001). It certainly predates JSON being widely used for anything. As such, Director and Lingo do not support JSON and instead use their own format. However, for string arrays, the syntax just happens to be the same.
Each string controls one map cell with the following rules:
If it contains an “a”, the level contains asteroids.
If it contains an “s”, the level contains a station.
If it contains a “1” the level contains one enemy ship.
If it contains a “2” the level contains two enemy ships.
It seems the order does not matter.
The map is also absolutely required to be exactly 6×4. It just uses direct indexing and would crash otherwise (I think technically it could be bigger without a problem).
The reason the map is loaded from a file is so I could provide multiple maps. In fact, I had it so the maps were generated by a PHP script:
First the layout of asteroids was chosen from four possible layouts. Then each cell had a random chance of also gaining ships and a station. Finally, the first cell is always blank, and the last cell has a station and two ships.
And astute readers may not the $rand == 5 and $rand == 6 cases duplicated. I only noticed this while writing this post.
High score table
The reason why the maps were variable is because it also had an online high score table.
You could enter your name, and it would keep track of the high scores for the current map, including keeping solo and coop separate.
There were two different implementations of the high score server script, and considering the two shows some of my developing understanding of how to design systems (if not really any serious consideration of security).
Highscore server script version 1
<?phpinclude('../connect.php');if(!$mode){$mode="Single";}if(!$player){$player="<i>No Name Entered</i>";}if(!$score){$score=120;}if($score<1000){$score="0$score";}connect();$sql="SELECT * FROM qwar ORDER BY number DESC";$result=mysql_query($sql);$row=mysql_fetch_object($result);$num=$row->number;$sql="INSERT INTO qwar_".$mode."_".$num." VALUES('$player', $score)";$result=mysql_query($sql);print"Done\n";functioncheck(){connect();$sql="SELECT * FROM qwar ORDER BY number DESC";$result=mysql_query($sql);$row=mysql_fetch_object($result);$time=$row->time;$num=$row->number+1;if($time<time()){$time=$time+604800;$sql="INSERT INTO qwar VALUES($time, $num)";$result=mysql_query($sql);$sql="CREATE TABLE qwar_Coop_$num (name varchar(30) DEFAULT 'No name given', score smallint(5) unsigned DEFAULT '0')";$result=mysql_query($sql);$sql="CREATE TABLE qwar_Single_$num (name varchar(30) DEFAULT 'No name given', score smallint(5) unsigned DEFAULT '0')";$result=mysql_query($sql);createMap();}}?>
In the first version I hadn’t really got database design at all.
The check function was called periodically to check if a new map should be generated (probably as part of some other page load).
If 7 days (604,800 seconds) had passed I generated a new map and I created a new table for the new high scores (actually two tables; one for single and for coop) I also stored the number that was part of the name for the tables so I knew which tables to store scores in.
Other than that, I just stored the name and score into the relevant table. It relied on the amazing feature PHP had back then called register_globals which just dumped GET and POST values into variables with the same name.
This obviously meant you could just craft a very easy GET request to post whatever score you wanted. Oddly enough, I don’t think anyone actually did.
Highscore server script version 2
<?phpinclude('../connect.php');if(!$mode){$mode="Single";}if(!$player){$player="<i>No Name Entered</i>";}if(!$score){$score=120;}connect();$time=time();if($score<12000and$HTTP_SERVER_VARS["REMOTE_ADDR"]<>'80.137.161.246'){$sql="INSERT INTO qwar VALUES(NULL, '$player', $score, '$mode', '$time')";$result=mysql_query($sql);}print"Done\n";?>
For version two, some things are better. Firstly, the high scores are now in a single table with extra columns of mode and time.
And… that was it. Everything else was the same.
Except for some reason I was blocking high scores from one specific IP address. I cannot remember why. Maybe someone actually did try cheating?
I did actually make one extra addition a few years later. Another parameter that identified what website you were on so it was possible to host the game in different places with unique high score tables. I even blogged about it:
This game predates Galaxia, and as such it predates my online name “GalaxiaGuy”. Back then I used the name “Admiral Q”, a reference to the STCCG card Military Privilege which includes the quote: “Starfleet Admiral Q at your service!”
As such, I naturally named everything with a “Q”.
There are a few old posts on this blog mentioning Q War. Notably, my 2004 references spell it “QWar” rather than “Q War”. This is obviously wrong since the title screen clearly renders it as two words, but apparently past me was less bothered about such consistency.
Graphics
Unlike Supremacy, the graphics are “original”. And by original, I mean I didn’t just get them from the Lingo book and conceived of them myself. In reality they are lovingly based on existing Star Trek material.
Player ships
Player 1Player 2
The player ship is the Bajoran Raider from Star Trek: Deep Space Nine. Weirdly, the original has a pair of struts connecting to the wings, but I’ve filled in the gap in the middle essentially making the wings wider.
I also added a tint to the ship which is blue and green for player one, and red and yellow for player two.
I would later reuse the ship graphic for Gravitas.
Enemy ships
Working this out took some time.
As a small aside I would like to call attention to the excellent Star Trek website Ex Astris Scientia by Bernard Schneider. In this case his Starship Gallery was an invaluable resource without which I would not have found the source of this ship.
The enemy ships are Vidiian ships, specifically the “Vidiian ship 3” from that link.
Possibly to introduce a bit more colour to the game, or maybe just to hide the source, I drastically changed the colour from the original brick red to the weird lilac cyan combo.
Enemy station
The space station is the Renegade Borg Ship from the Star Trek: The Next Generation episode Descent (the one with Lore and Hugh).
The only change I made was to make it green.
And honestly, I’ve always thought this shape makes much more sense as a station than a ship.
Asteroids
The asteroids actually are completely original creations I made in Paint Shop Pro 5, and for whatever reason I remember exactly how I made them.
Generate some random noise.
Apply Gaussian blur.
“Cut out” an asteroid outline.
Apply a circular gradient to add shadow.
Colourise.
Fonts
The main title and menu font is Trek Generation 1, which continues my theme of using Star Trek fonts in Shockwave games.
In this specific case, it was a surprise to me. For as long as I can remember I thought I’d used Copperplate Goth Bold (which does look similar) but when I actually explored the original source, I was wrong.
Like Supremacy, some time after the initial release, I added the message “Brought to you by Galaxia”. Galaxia being another game I developed.
The future
Once DirPlayer has better support for my games, one of my goals is to recreate the Shocklive! site complete with both Supremacy and Q War. This would include a new, safer high score system to replace the original.
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Sharing a name with someone is usually unremarkable. Sharing it with the plaintiff in a landmark Supreme Court case is rather less so. I have Googled myself since before Google was even a thing, so I have known about Oliver Leon Brown for a while.
Oliver Leon Brown
Oliver Leon Brown was a welder and part-time minister in Topeka, Kansas. In 1950, the local NAACP recruited him as one of thirteen parents to sue the Topeka Board of Education over racial segregation in the city’s public elementary schools. His daughter Linda was among the children denied entry to the nearest white school.
The case made its way to the Supreme Court, consolidated with four similar cases from other states. Brown happened to be first alphabetically, so it became Oliver L. Brown et al. v. the Board of Education of Topeka.
The former Monroe Elementary School, Topeka, Kansas (now a National Historic Site). Photo by Midwest National Parks, CC BY 2.0.
The decision
Eventually the court ruled unanimously on 17 May 1954 in favour of the plaintiffs, overturning the “separate but equal” doctrine established by Plessy v. Ferguson in 1896, holding that racially separate schools were inherently unequal and unconstitutional.
The Monroe School
The Monroe Elementary School, one of the four segregated Black schools and Linda Brown’s own, is now the Brown v. Board of Education National Historic Site. Oliver’s family founded the Brown Foundation in 1988 to preserve the case’s legacy.
Finding a historical figure who shares your name is not particularly surprising (especially with my surname). Finding one whose name is on a case that changed American constitutional law is. If I ever find myself in Topeka, I will certainly visit the historic site.
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9o3o is a web-based version of Flashpoint Archive which provides a way to play old browser content without installing anything locally.
It has long had support for Flash content via Ruffle but has recently added support for DirPlayer, which means Shockwave content is now playable through it.
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When I was born, “Oliver” was quite an uncommon name. I was the first one my primary school had. And even though “Brown” is a common name, the combination is still pretty rare. But not unique.
The popularity of “Oliver” has drastically increased. It has been the number one name for boys born in the UK several years recently. This has been a bit strange for me since I spent most of my life never being around other people with my name. This is obviously still true for adults, but as a parent who now spends time in playgrounds, hearing other people call “my” name is still strange.
For a long time that meant I ruled the web with regard to the name. But since then several others have cropped up.
The most prominent is Oliver Brown London, a bespoke tailor based, you guessed it, in London.
The brand has apparently been around since 1980 (older than me), and is not actually named after a real person, but named after the owner’s dog, who was called “Oliver” and was brown.
I have never visited, though I probably will if I ever get the chance. I did actually have a chance that I missed; the first shop was in Chelsea, where I used to work but I hadn’t heard of them at the time.
I would hope the staff would find that reason for a visit acceptable. I honestly don’t think I would ever be a customer, not least because they seem outside of my price range. Their whole approach reminds me of a quote from the Discworld book Maskerade about a dress shop:
This was not a shop where things were bought. This was an emporium where you had a cup of coffee and a chat. Possibly, as a result of that muted conversation, four or five yards of exquisite fabric would change ownership in some ethereal way, and yet nothing so crass as trade would have taken place.
Although suits are probably their biggest trade, they seem to have top hats as a speciality. They claim to have the largest collection of antique top hats and were initially the only company allowed to sell top hats within Royal Ascot.
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I used to post a lot about TV and Sky in particular. It was mainly about options around having a home media centre. The commercial options around this have improved (things like the Apple TV and streaming) and the DIY options have become less interesting to talk about.
So it is nice to have something relevant to say again…
Disney+ now included
Disney+ has been available as an app on Sky for a while, but recently they announced it would be included with your Sky subscription. I don’t have a Sky subscription myself, though my dad does. I have my own Disney+ account. I’d previously logged into Disney+ on his Sky TV box.
When he heard about Disney being included, he launched the app, which was still signed in to my Disney+ account. It then automatically connected his Sky account to my Disney account. I had to contact Disney+ support to disconnect them.
It’s probably a good thing to make the account management so seamless, but in this case it caused problems. One thing I would say is the support experience to get it fixed was actually good. I contacted them at about 20:30 on a Saturday, there was no difficulty in explaining the issue and it was all resolved in about fifteen minutes.
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I’m not especially into sports, but I am quite into weird quirks of sports, especially rules. Snooker in particular has a few odd ones that are not well known.
One of them is that it is possible to score more than the “maximum” of 147. Which Ronnie O’Sullivan has just done.
A break higher than 147 only becomes possible through a free ball. If the incoming player is left snookered on all 15 reds as a direct result of an opponent’s foul, the referee awards a free ball. The player nominates any other ball on the table to act as a red for that shot, scoring 1 point if potted. Crucially, that ball is then respotted to its original position, and the player continues by playing a colour in the normal way.
The effect is that the player now has the opportunity to pot what is effectively a 16th red at the start of the break, gaining up to 8 bonus points (1 for the free ball plus 7 for the following black). The theoretical maximum with a free ball is therefore 155, though this has never been achieved in professional competition.
This means the player necessarily scores even more in total since they get the points from the foul too. But that is not part of the break. This also means there is no limit for maximum score since your opponent can just keep fouling.
Other 16 red clearances
Alex Higgins managed the first professional 16 red clearance in 1982, but only scored 135. For extra gravitas he did do it in the final frame of the final of the world championship.
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I recently bought Star Trek: Voyager - Across the Unknown, a story-driven survival strategy game developed by Gamexcite and published by Daedalic Entertainment.
In fact, I pre-ordered it. Pre-ordering is something I tend to reserve for things I feel the need to signal support for that might otherwise struggle. I was a big fan of Star Trek in the 90s and early 2000s, and while recent Star Trek has been more of a mixed bag for me, I was excited for a new game based on this era, even if some of that is nostalgia.
It is surprising that anyone would base a game on a TV show that last aired nearly 25 years ago, and probably a bit of a gamble. That said, the last Star Trek: Voyager game I played was Elite Force, which was projected to sell 700,000 units but reportedly only sold around 300,000 worldwide which was considered an underperformance. Across the Unknown has already sold 100,000 units; whether that meets its presumably more modest target I can’t say, but it at least suggests I’m not alone in my nostalgia for this era of Star Trek.
Spoiler warning: The rest of this post contains spoilers for the game (and, in case it matters, Star Trek: Voyager).
Gameplay summary
The game is strongly structured around the major events of the show like the Kazon, the Borg, the Hirogen, the Borg again, which you encounter in order. These can’t be avoided, but how you handle them is up to you. Smaller, less significant events from the show are scattered throughout as optional encounters that you have to seek out.
In terms of feel, it’s a bit like Fallout Shelter (I mean the ship overview even looks like Fallout Shelter). Resource management is the foundation, with the most significant resource being morale. If it gets too low crew will mutiny. You make the decisions, whether to be diplomatic or aggressive, whether to embrace dangerous technologies like Borg research, and the game features roguelike elements, so each run plays out differently, with crew members permanently lost if things go wrong.
Advice to new players: If you leave a sector while someone is off the ship, they will be gone forever. The game technically warns you of this but is a bit understated, and sometimes you may have even missed that someone was off the ship. In my current run I guess I’ll never know what happened to Tom.
The game also covers ship management (repairing and constructing rooms, managing energy and life support), exploration, away missions, and ship-to-ship combat. The combat is a bit basic, but to be honest I think that fits in with the way combat has always worked in the show. In fact it is interesting how much Star Trek games have focused on robust combat mechanics when it was never really like that on-screen.
My thoughts
The introductory mission with the Caretaker is a bit long and a little annoying to play more than once, though you can influence things - including ending the game early by simply using the Caretaker’s array to go home.
Initially it feels like you follow the show’s story very closely, which can feel restrictive. But there is more flexibility than it first appears. You can recruit Seska, recruit a Kazon, lose Chakotay, and end up with zero, one, or more of human Torres, Klingon Torres, and “real” Torres. And of course you get to choose what happens to Tuvix.
The dialogue is not amazing, but somehow quaint. There is generally no voiceover except for the sector introductions by Tim Russ and Robert Duncan McNeill.
The game is hard. There are three difficulties - “Adventure”, “Survival”, and “Years of Hell”. I initially tried “Survival”. I thought it was quite easy and things were going well, until everything fell apart. I’ve since dropped to “Adventure” and I’d recommend it as a first playthrough since it is the best for exploring “what if?” scenarios.
Should you buy it
If you are a fan of Star Trek: Voyager, absolutely. If you are a fan of Star Trek of this era and want more video games based on it, then also absolutely. If you are a fan of Star Trek in general and are at least moderately interested in roguelikes or resource management games, then probably. Otherwise, it’s harder to say. On its own merits, without being based on Star Trek: Voyager, I’m not sure how well it stands up.
If you are a fan of the show, some of the elements are strongly telegraphed. For example, while fighting the Kazon you find out there is a traitor on the ship. If you watched the show you know who it is, and that can’t be changed. You can influence what happens, but you already know who to trust. This continues throughout the game, and many of the optional side missions are even named after the relevant episodes so you can see what is coming. It’s an interesting choice. Part of me wants to see what a playthrough by someone who hasn’t seen every episode several times would look like.
Suggestions for improvements
It would be nice if the player could control the ship right from the start while trying to find Chakotay and the Maquis. Some mechanics could remain locked, but it could be a good way to tease the player with what they can achieve by briefly showing them a fully functioning Voyager.
The away team mechanics are pretty cool but there aren’t enough missions. It would be good to see more of them, and perhaps with a bit more secrecy - currently you can see all the required specialties before starting a mission, which makes things a little too gameable. There’s also an opportunity to introduce random events during missions. The Star Trek CCG is structured around missions and dilemmas, where dilemmas represent generic1 things that could go wrong on a mission that the crew have to deal with. Something like that could work well here. Similarly, most space locations are just random resource gathering, and it would be interesting to see some kind of minigame introduced there too.
More randomness in general would be welcome. My ideal would be the ability to choose how closely the story matches the show when starting a run: what if Seska isn’t the traitor, or the crew encounter the Hirogen before the Kazon, or some entirely original events are introduced? On a similar note, playing with different ships could be interesting. Some suggestions I’ve seen are a harder mode based on the U.S.S. Equinox or Defiant-class, or an easier mode in a Galaxy-class ship. Probably beyond scope for a DLC, but someone suggested a version based on navigating the Delphic Expanse from season 3 of Enterprise, which I’d happily play.
Okay, most of them aren’t generic and some care would be needed to not introduce some absurdity. Finding out the universe only has seventy trillion years left and working out what you should do about it, while trying to retake Voyager from the Kazon, would be weird. ↩︎
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DirPlayer 0.4.1 has been released. The headline changes are hardware-accelerated graphics, major performance improvements, and custom font parsing and rendering.
That last one is particularly relevant to Supremacy, as the previous version had broken fonts. I’ve updated the JS polyfill on the Supremacy page to the latest version, and the game does look noticeably better as a result. Most of the fonts now render properly, and all of the buttons are readable.
Unfortunately, it still isn’t quite playable. The runtime error that stops progress is still there, but it seems simple enough I may try to fix it myself. Which means learning some Rust…
Supremacy is a Risk-style turn-based strategy game I wrote in Macromedia Director and originally released in 2001. It supports both single player (against AI opponents) and local multiplayer.
You can find it in Flashpoint under the name “Supremacy”.